Robert Eggers debut feature The Witch was a brooding mastery of historical shocks. Launching Anna Taylor-Joy’s career and making us fearful of the woods and, well, goats, Eggers cemented himself as a horror fiend, directing peculiar and menacing masterpieces – and he only has two features. Now he continues with black and white escapade The Lighthouse. The film revolves around a titular island away from … Continue reading The Lighthouse – Review