by Hamish Calvert Writer-director Sean Durkin’s sophomore film, The Nest begins with an exterior shot of the O’Hara family home in mid-eighties, suburban New York. The Canadian filmmaker tells us a lot with this one shot, which lingers just long enough for audiences to gain a good understanding of the characters they’re about to be introduced to. In the frame viewers see a detached house, … Continue reading The Nest – Review